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The Giant’s House: A Romance

The Giant’s House: A Romance

Product Description
The year is 1950, and in a small town on Cape Cod twenty-six-year-old librarian Peggy Cort feels like love and life have stood her up. Until the day James Carlson Sweatt–the “over-tall” eleven-year-old boy who’s the talk of the town–walks into her library and changes her life forever. Two misfits whose lonely paths cross at the circulation desk, Peggy and James are odd candidates for friendship, but nevertheless they soon find their lives entwined in ways that neither one could have predicted. In James, Peggy discovers the one person who’s ever really understood her, and as he grows–six foot five at age twelve, then seven feet, then eight–so does her heart and their most singular romance.Amazon.com Review
An unlikely love story about a lonely spinster librarian and a younger man, forced into loneliness because of his monstrous size. Peggy Cort, the reclusive librarian in a small Cape Cod town falls for a boy 14 years her junior — one who grows to be 8 feet 7 inches and 415 pounds. Though initially attracted out of sympathy, Peggy soon finds she has much in common with this sensitive, albeit enormous man. A romance ensues, but the unique connectedness they share — something neither has ever felt before — is cruelly interrupted by tragedy.

The Giant’s House: A Romance

Art basics for children

Art basics for children

Product Description
This drawing book is geared to younger children or students just beginning a study of art. It teaches basic drawing skills in a unique format of the ABC’s-an example would be A is for apple–drawing a

Art basics for children

Capable Egg

Capable Egg

Amazon.com
From the perspective of musical genres, Lullaby Baxter is neither fish nor fowl. Her backing band on Capable Egg is the San Francisco-area Oranj Symphonette, an outfit that boasts a couple of Tom Waits’s former collaborators. But Capable Egg doesn’t sound like Oranj’s usual fare–no Mancini or Morricone. Instead, Baxter creates a vocal-fronted mix that integrates samba, floating acoustic jazz, and lilting pop. There are elements of Waits’s world-view and musical approach (“Rooster in Love”) and a subtly pervasive mood that recalls Patricia Barber in spots and then more vaguely the genre-bending flange in late-1990s jazz that extends (in spirit) from Medeski Martin & Wood to the Jazz Mandolin Project. Baxter handles lyrics with a delicacy that disarms and a frankness that charms. She’s instantly engaging, and the lyrical content is strangely constructed and wonderfully imaginative. –Andrew Bartlett

Capable Egg

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